3 786 безкоштовних аудіофайлів для "Primary And Secondary Triads"

Major triad on C in second inversion.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Iidim6 chord in C.

Beta scale major triad on C. MIDI pitch bend matches intervals.

Delta scale major triad on C

Gamma scale major triad on C.

Alpha scale minor triad on C. MIDI pitch bend appears to match intervals (0,64; 102,67; and 82,64).

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

Picardy third in Bach - BWV 81.7, mm. 12-13. Created by Hyacinth (talk) 00:21, 13 July 2011 (UTC) using Sibelius 5.

Major chord on C in 17 equal temperament (0,5,9).

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Augmented triad on D.

Diminished triad on B, as MIDI

2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.

♭III+ chord in just intonation. Pitch bend matches intervals.

Major triad on C. Created using Sibelius.

Major chord on C in 17 equal temperament (0,6,10).

Augmented triad on C, As MIDI

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Shave and a Haircut in G with chords. Triplet swing.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

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Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G. Triplet swing.

Werckmeister temperament major chord on C.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Sound of steel chisel 8th (octave)

Sound of steel chisel (tritone)

Sound of steel chisel 5th (fifth)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg